Our team works across Video Production & Post Production, specialising in Greenscreen Production, VFX Supervision, 3D Environment | Animation, and all things Composite, Edit & Grade. We would love to hear about your project, whether you’re in pre-production, production or post-production, or dreaming and scheming ideas for the future, feel free to reach out anytime.
Ngā manaakitanga
Nat & Sam
Nat Tozer - Creative Director
Nat holds an MFA with first-class honours (2022) and a PGDipFA with Distinction (2020) from the University of Auckland Waipapa Taumata Rau. She recently presented moving image work at The Metamodern in Literature, Art, Education, and Indigenous Cosmologies: An Interdisciplinary Symposium at AUT (2023), Deucalion & Pyrrha, Sluice Biennial / PADA Residency at Lisbon Art Weekend (2022), Māter Mater at Silo 6 (2022), ABSTRAXT ABSTRAXT at Northart (2024), and won The Lightship Award which funded the presentation of an open-air 110m video work at The Ports of Auckland (2021). Nat is also the founder and kaitiaki of the artists-run initiative mothermother which has supported curatorial activism for underrepresented artists since 2019.
Sam Tozer - Director, Director of Photography and VFX Supervisor
Sam has recently created work for the Sluice Biennale in Lisbon (2022), the permanent iwi-led display in Hokianga Footprints of Kupe (2020), the Texas immigration museum (2020), Amazon Web Services for NanoGirl and Morag Brownlie’s multi-award winning short film Perfect Storm (2022). Sam has been an integral part of New Zealand artist Lisa Reihana’s success leading the technical direction and supervision for her exhibitions In Pursuit of Venus {infected} at La Biennale di Venezia (2017), Ihi at Aotea Centre (2020), Taiwhetuki - House of Death at Bishop Museum Pacific Hall, Honolulu Biennale (2015), Nomads of the Sea at Sharjah Biennial, UAE (2019), and Groundloop at the new Sydney Modern (2023).